| The Ice Cream Truck Piano solo Alfred Publishing
By Mary K. Sallee. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Pub...(+)
By Mary K. Sallee. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Published by Alfred Publishing.
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Summer of 1969 Piano, Vocal and Guitar [Sheet music] Hal Leonard
(40 Songs of Peace & Love That Were Played at Woodstock). Piano/Vocal/Guitar Son...(+)
(40 Songs of Peace & Love That Were Played at Woodstock). Piano/Vocal/Guitar Songbook. Softcover. 208 pages. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Phineas and Ferb Piano, Voice [Sheet music] Hal Leonard
(Songs from the Hit Disney TV Series). By Various. For Piano/Keyboard. Easy Pian...(+)
(Songs from the Hit Disney TV Series). By Various. For Piano/Keyboard. Easy Piano Songbook. Softcover. 96 pages. Published by Hal Leonard
(1)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best of Gram Parsons Piano, Vocal and Guitar [Sheet music] Cherry Lane
By Gram Parsons. Piano/Vocal/Chords Songbook (Arrangements for piano and voice w...(+)
By Gram Parsons. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). 70 pages. Published by Cherry Lane Music.
(2)$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 500 Smokin' Country Guitar Licks Guitar notes and tablatures [Sheet music + Audio access] Centerstream
Guitar. Country, Country Instruction. Softcover Audio Online. 72 pages. Publis...(+)
Guitar. Country, Country
Instruction. Softcover Audio
Online. 72 pages. Published
by Centerstream Publications
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Nashville Number System Fake Book Guitar [Fake Book] Hal Leonard
By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. P...(+)
By Various. Edited by Trevor
de Clercq. Fake Book.
Softcover. 224 pages.
Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Five Poems Violin and Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050). UPC: 680160655519. 9 x 12 inches. Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com/2016/05/10/five-poems-premiere/. Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”approach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“Descent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear. $33.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Blues Book (C Instruments) C Instruments [Fake Book] Hal Leonard | | |
| Tongoy Triptych 2 Guitars (duet) Schott
Guitar Duet (Score) SKU: HL.49047318 For Two Guitars in Three Movement...(+)
Guitar Duet (Score) SKU: HL.49047318 For Two Guitars in Three Movements Score. Composed by Dominique Le Grande. Guitar. Classical. Softcover. Duration 540 seconds. Schott Music #ED14159. Published by Schott Music (HL.49047318). ISBN 9798350121940. UPC: 196288201359. Composed for two guitars, this suite in three movements was inspired by a trip to northern Chile with two close friends whose lives have been dedicated to Human Rights activism and to whom the suite is dedicated. Each of the three movements evokes the spirit of the place where the music locates itself. The first movement, Tongoy Sea captures the sleepy seaside town of Tongoy on the Pacific coast with its long stretch of beach onto which spills the village, the fishing boats and the fish market while families gather in the local fish restaurants that line the beach looking out to sea. The second movement, Tololo Sky, recalls the long car drive up the winding mountain towards the Inter-American observatory, Cerro Tololo. Driving up the mountain I was struck by the starkness of our car winding its way on a single desert mountain road surrounded by a vast sky of an intense and translucent blue. The final movement, Elqui Earth, evokes the gentle slow pace of the town of Vicuña, birthplace of the poet Gabriela Mistral in the Elqui Valley. This fertile stretch of green with its abundant vineyards and fruit orchards stands out against the dry mountains that encircle it below a limpid sky. Dominique Le Gendre (2023). $9.99 - See more - Buy online | | |
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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